Still, there's something to be said about quality acting, and the cast, from the three leads to Kyra Sedgwick and Wendie Malick (both underused but fantastic as Daphne's artist friend and co-dependent mother), is much better than the movie as a whole. Doremus is capable of telling an emotional love story - 2011's Like Crazy holds up - but this is an underwhelming melodrama by comparison. Starring Shailene Woodley, Sebastian Stan and Jamie Dornan in a love triangle, Drake Doremus' 'Endings, Beginnings' leaves its compelling young performers at loose ends. Even the supposed twist in Endings, Beginnings will feel formulaic to audiences familiar with romance novels and soap operas. The love triangle features several realistic sex scenes, which have varying degrees of explicitness. In present day Los Angeles, Daphne (Woodley), a thirty something woman, navigates love and heartbreak over the course of one year. And Dornan's Jack is the predictably ridiculously handsome but somewhat dull writer who prefers the bed, cuddling, and talking about philosophy and feelings. Parents need to know that Endings, Beginnings is a mature relationship drama about Daphne (Shailene Woodley), a recently unemployed single woman who meets and becomes romantically tangled with two different men (Sebastian Stan and Jamie Dornan). Endings, Beginnings in US theaters Apstarring Shailene Woodley, Jamie Dornan, Sebastian Stan, Matthew Gray Gubler. Stan's Frank is the predictably distractingly attractive but no good womanizer who can't be bothered with beds when tables, floors, and cars will do. Love triangles are a cliché, particularly when they involve best friends with contrasting personalities vying for the same person. And it's hard to reconcile the good performances with everything else: The pacing is slow, the dialogue is semi-improvised (and it shows), and the character arcs are disappointing. That's relatable in a young adult character but less endearing in someone older and (supposedly) wiser. Daphne isn't necessarily a likable character: She repeatedly makes impulsive, selfish mistakes for the sake of spontaneity and sex. Her work in Drake Doremus' indie drama is yet another example of what a gifted actress she is, even if the film isn't as good as its talented cast. There's an art to acting vulnerable and haunted, and Woodley has perfected it for most of her career, from The Spectacular Now to Big Little Lies. Woodley's nuanced performance and the leading men's on-screen magnetism make for good love scenes, but this is a messy, meandering movie.
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